A car designer is killed by some cunning business men his car. But the concept they choose to promote the car is wrong. This movie was made to showcase the car and the car seriously looks awesome. In the end, justice is done, bad men confess, and the car designer's spirit ascends to heaven. In the process, the miraculous machine shows how it can drive itself, rebuild itself after crashes, and even change shape. Little does the son know, but his dead father's soul still inhabits the vehicle! One spooky night, the spirit of the dead designer takes control of the car, which goes out and seeks revenge on those who murdered him. He obtains the vehicle and, with some help from his love interest (Ayesha Takia), turns it into a "wonder car." The son renames the car DC in honor of his father. They bind the designer and lock him in his own car-this one being an older car called Taarzan-which they dump into the water to drown him Twelve years go by, and the designer's son (Vatsal Sheth) discovers his dad's car Taarzan in a junkyard. The executives, conspiring with the police, have the designer murdered so they can steal his idea. The plot involves a car designer (Ajay Devgan) who gets his idea for a revolutionary vehicle (called DC, his initials) stolen by a leading automobile company. The film followed the duo's success on other thrillers, such as Solider, Humraaz, and Baadshah. Taarzan: The Wonder Car was directed by brothers Abbas and Mustan Burmawalla. Abbas-Mustan often known for copying English films comes up with a remake of CHRISTINE but sadly humanizes the car too much and adds a mystery of Ajay's soul in the car which is too old fashioned The first half and all the college scenes are very badly handled, the leg scene of Ayesha and the car scene and all her skimpy outfits scenes are repulsive and actually don't go with what she says that she will never wear skimpy clothes, you know how much they lie? Anywayz the car taking revenge part is interesting though filmy and the murder of Mukesh Tiwari is nicely handled but the rest murders are badly handled and with the hamming of the villains it's even worse Actually the villains comes across as jokers esp Shakti, Sadashiv The handling of the past Ajay Devgan's scenes are too in your face filmy and clichéd Even the entire Pankaj Dheer scenes where he says he won't marry Ayesha to Vatsal and the entire climax is 80's style Direction is faulty Music is good Vatsal tries hard but fails to emote and comes across as struggling to hard Ayesha is good but irritates at times Ajay is as usual Mukesh Tiwari is decent Sadashiv, Deepak Shirke and Shakti ham like no day Gulshan irritates with his fund a Rajpal is funny at times, while Farida is as usual
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